As well as announcing our 2024/25 Season today, we've also launched the Director's Fund, our most ambitious investment in Wigmore Hall's future.
Find out more in @GdnClassical
Wigmore Hall launches £10m fund in bid to be self-sustaining
The London classical music venue announces plan against a background of arts funding cuts and in ‘an uncertain p...
www.theguardian.com
We’re looking forward to returning to @wigmore_hall next season & performing with the amazing @Abel_Cellist for the first time! Feat. new commissions by @ShruthiMusic & Abel, new arrangement by @MishaMAmusic & @drkerryandrew’s Fruit Songs🍎@IntermusicaLtd
The Wigmore Hall 2024/25 Season has been announced! 🎉
Discover our Autumn 2024 concerts today, as well as the residencies and artistic themes of this new season here: https://www.wigmore-hall.org.uk/news/wigmore-hall-announces-the-202425-season
Tonight at Wigmore Hall, violinist, collaborative artist and composer @DanielPioro performs alongside @marianconsort in a programme featuring music by @tomcoult, Nick Martin, Bach, and Pioro himself.
🕰️ 7.30pm
🎟️ https://www.wigmore-hall.org.uk/whats-on/202403281930
At @wigmore_hall, the @Nash_Ensemble’s Inventions evoke vivid landscapes and sombre memories
✍️ Christopher Woodley
Me, on moths, harps and a superb Birtwistle tribute by @Nash_Ensemble @wigmore_hall 🦋
Last chance to apply for the 2024 Wigmore Hall/Bollinger International Song Competition – applications close at 1.00pm today!
2024 Wigmore Hall/Bollinger International Song Competition
www.wigmore-hall.org.uk
Marz23’s highly-anticipated ‘Not So Far Away’ Tour is not so far away anymore 🎸 Experience the Taiwanese emo star when he makes his NYC debut with @smrtdeath this Thursday!
Get tickets while they last >>> https://link.dice.fm/E1e73b88f3a7
'Unique, startling and completely unforgettable' ★★★★ The Guardian.
With thanks to the Colwinston Charitable Trust. Plus a huge thanks to all who came to see #ENOBluebeard.
Duke Bluebeard’s Castle review – erotic, unsettling and beautifully staged
A last-minute cast substitution added a remarkable gender twist to Bartók’s opera about marital disintegration
www.theguardian.com